Praise
for Certain People & Other Stories
Published by Coffee House Press
"Ms. Allen depicts exotic climes with an unerring
eye -- whether the rough Australian outback, the languorous
tropics or the New York art world. Her
stories intimately convey the spiritual malaise of people
at odds with an alien environment or with their own
deeply shrouded impulses."
--The
New York Times Book Review
"This is a sly, edgy, shrewd book."
--Robert
Polito
"Allen is a leading practitioner of the blooming
genre labeled sudden fiction and microfiction. She is
also a visual artist of some renown, as one might guess
from her painterly style, which delivers a slashing
detail here, a dab of color there, and an economy of
line that is frequently wondrous."
--Steven
Almond, Chelsea
Excerpts
from CERTAIN PEOPLE
WITHOUT
SHAME
Thereís
one mansion after another here. Street after street
of rich people, though thereís no one in sight. The
mansions and the lawns look so perfect itís hard to
believe anyone lives here. But he assures me people
live in these mansions. People richer than he is. People
richer than his family. He is not rich in comparison
to the people who live in these mansions. Thatís why
the man who was left for a cook likes to come here.
He comes here to feel poor. He feels poor before he
comes here, but only when he comes here can he admit
to himself he feels poor. Away from these streets, he
canít reconcile being rich and feeling poor, so he hides
what he is feeling. Away from these streets, he canít
understand how his lover could leave him for a cook!
He comes here to dull the pain. Here, the man who is
rich can feel poor; a poor man can be left for a cook
without shame.
THE
WHORE
In Trieste, my husband and I, who are traveling, notice
in a dark scruffy bar a middle-aged red-haired whore
with numbers on her arm, sitting at the next table,
smoking. My husband, who is German, starts a conversation
with the woman. She is from Yugoslavia, she tells my
husband in German. Her skirt is short and tight, raised
high on her thighs. Her eyes are lined with black, her
lips are painted red, her green top fits tight across
her breasts. In no time, my husband and the woman become
engrossed in conversation. The woman relates gruesome
details of her internment at Buchenwald during the war,
which led to her present profession. I barely understand
her account. English is my native tongue. I donít speak
German well. My husband, spellbound by her tale, has
forgotten my presence. I nudge him, hoping he will translate
what I fail to understand, but he absently pushes my
hand away. I turn my eyes toward the streaked windowpane,
amazed by my husbandís preference. I, who am young,
pretty, and spared by misfortune, feel jealous of this
woman scarred by life.