How
to Use the Energy Method
For
many years, I have used timed exercises to teach writers
how to tap in to their energy to make their writing
come alive. For me, the key to writing is energy, which
I define as the impulse to write, the power deep inside
that drives you. I work with a timer, because the timer
creates pressure and brings energy to the surface. The
timer is an important part of my method.
When you have, for example, ten minutes to write, you
don?t have time for your internal conversations. You
don?t have time to tell yourself, "I should have
taken up weaving," "This isn?t any good,"
or "My husband would kill me if he read this."
You may never rid yourself of those thoughts--even when
you?re writing--but you can learn not to listen. Resisting
those thoughts gives them power. If you just allow them
to be there without paying attention, they will fade
into the background of your mind.
The timer is one sure way to bypass those thoughts.
But the timer is not enough. Writers need to focus their
energy on a particular topic or image. One of the first
exercises I ever used was, Write about a lie. But I
could have said, Write about a lizard or the moon or
anger or love or an invalid. I could have used the newspaper
headline "FALL FROM GRACE" or a magazine photo
of a chimpanzee. I could have used a postcard of Venice.
I could have closed my eyes, opened a dictionary and
pointed at random to the word "proof."
What matters more than the particular topic or image
you choose is the act of focusing. The verbal or visual
cue gives your energy direction. Once you set the timer
and go--without knowing where the topic or image will
lead you--you are an explorer going into the unknown.
When you follow your energy, you get out of your own
way. You relinquish control. You let go of judgments
and expectations. You write with the abandon of a little
child.
The story, essay, or play that wants to be written by
the deeper part of you is often not the story, essay,
or play you think you wanted to write. Thinking about
writing is very different from the experience of writing.
How do you know when an exercise has energy? You feel
something. When your feelings are strong, you know you
have tapped something deep within yourself. When you
tap something deep, you feel more alive. Feeling more
alive is not always feeling better. Feeling more alive
is allowing yourself to feel whatever you are feeling--whether
it is pain, love, joy, sadness, anger, or fear.
Not every exercise you do will have energy. You may
need to do quite a few before you find the ones I call
"triggers," the ones that take you to places
you didn?t know you wanted to go.
If you have difficulty tapping your energy when you
write, find it first in everyday life. Try the exercise
I call "Moments." Notice moments in your life
that have energy--that make you feel more alive. Every
day for a week, list one. At the end of a week, write
a five or ten minute exercise about the moment with
the most energy. That moment might be the one when the
colors in the sky at sunset moved you or it might be
the moment of regret when you accidentally broke your
mother?s favorite cut-glass bowl.
If you, the writer, are not moved by what you write,
the reader won?t be either. It is very important to
be aware of what you feel. It is not the words that
matter in an exercise but the energy behind the words.
Words can be changed and revised but the energy is the
life in your writing.